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First Printing

I took a big step earlier this week, which was so big for me and which I doubted would mean anything to anyone else.

I printed my first manuscript for the first time.

It turns out that lots of people thought it was big and told me so on my social media platforms, which was affirming and very much appreciated.

Printing my manuscript for the first time involved a fair amount of deliberation mostly related to my feelings about printing and the environment (I prefer digital to save trees whenever possible) while also realizing that editing a hard copy is much more effective for me than editing on the screen, and worries that with a black toner cartridge down to 15% I wouldn’t have enough toner to complete the job and then that would just be a weird let-down to have a partial printing in addition to impatience while waiting for the new cartridge to be delivered. My mind is complicated, people.

I enlisted the help of my engineer husband, who is quite handy in situations like this. I asked, “How many pages do we have left on the existing black cartridge?” He went into full-on tech mode, pulling up supply status pages and researching statistics about how many average pages a cartridge can print, delving into information on both a regular cartridge (which we suspected was currently in the printer) and a high-capacity cartridge, including cost per page. God, I love this man.

I had resigned myself to waiting for a new cartridge to be delivered, or putting it off until the next day because procrastination was appealing since seeing my manuscript in print for the first time felt daunting. Is it even worth the paper? The ink? Who knows. “I’ll do it tomorrow” felt really good. Self-doubt was driving the bus. I realized that it wasn’t really about the environment and toner supply, after all. Ecology and supply issues were just speed bumps along the way to Shameville. Who do I think I am to print all those pages of my so-called manuscript? No, I don’t need to print today. I’ll wait until tomorrow, when I can come up with yet another reason to stall.

After M did all his research, he said what I needed to hear. “Print it.” To me, this wasn’t just a go-ahead because the toner supply was adequate. It was someone I trust telling me that it was okay to print my manuscript. I’m not saying I need external justification to proceed, just that it feels good when my best friend says, in so many words, “Yes. You can do this.” He says this a lot, which is one of the reasons he’s my best friend. Of course, he’s also tried to use this to his advantage in the past, trying to convince me that yes, I could change all the poopy diapers and yes, I was utterly brilliant with my use of the washer and dryer and way better than he was at doing laundry, and yes, I could cook dinner rather than go out. Still, what counts, when it comes down to it, is that he always says, “Yes, you can do this,” just when I need to hear it. He’s the Wizard of Oz to my Cowardly Lion, helping me to occasionally take my fortitude out of mothballs and parade it down the main street of the city. His yesses help me overcome my nos.

I re-stocked the paper tray and, before I could come up with any more excuses or chicken out, hit the “print” icon. 286 pages later, after feeding the printer more paper (oh my gosh, do we have enough paper?), my manuscript was complete. I held the 1 5/8” stack of printed paper to my chest and damn near cried. It’s pretty hefty, and I find it hard to believe that I thought of and typed all those words. It represents hours and hours of work, not just sitting down and banging it out, but the thought that went into the characters and the plot, the reading and attending workshops that gave me the tools I needed to craft a story that is (hopefully) compelling and interesting and has conflict and resolution. I have thought about this story at night while I’m trying to fall asleep, in the shower, in the car as I’m driving, waiting to pick up Zoe after school or sports, on my walks. I have thought about this story in cars, trains, and airplanes. I’ve worked on it mostly in Missouri, but also in Colorado, Illinois and Ohio. I worked on it in every state on the Amtrak California Zephyr route, the Coast Starlight route, and the Empire Builder route. It’s a massive personal investment.

Ernest Hemingway famously said, “Write drunk. Edit sober.” Although the man was a raging alcoholic, I take this also as a nod to writing being the easier part (as hard as it is), and editing being the long, hard slog. I have never edited a manuscript before so I have no idea if Hemingway is correct, but I adore editing so I’m actually looking forward to this. I do realize it’s a ton of work, but since I’ve actually written a book now, I think I might be up for the work.

Thank you to everyone who liked and/or posted celebration and encouragement on Facebook and Instagram. Ya’all are my field wizards, feeding my heart and pushing me down that yellow brick road to my dream. Thank you for helping me fight my own flying monkeys.

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